OSCAR Nominierungen 2008

…sind da. Und es könn­te tat­säch­lich zu einer Ver­lei­hung kom­men, denn es zeich­net sich ein Ende des Streiks der Dreh­buch­au­to­ren ab, ers­te Abschlüs­se hat es bereits gege­ben. Mög­li­cher­wei­se saß der GOLDEN-GLOBE- Schock bei den Ver­ant­wort­li­chen tief…

Für den bes­ten Film wur­den nomi­niert:

• “Ato­ne­ment” (Focus Fea­tures) A Working Title Pro­duc­tion: Tim Bevan, Eric Fell­ner and Paul Webs­ter, Pro­du­cers
• Juno” (Fox Search­light) A Dancing Elk Pic­tures, LLC Pro­duc­tion: Lian­ne Hal­fon, Mason Novick and Rus­sell Smith, Pro­du­cers
• “Micha­el Clay­ton” (War­ner Bros.) A Clay­ton Pro­duc­tions, LLC Pro­duc­tion: Syd­ney Pol­lack, Jen­ni­fer Fox and Ker­ry Orent, Pro­du­cers
• “No Coun­try for Old Men” (Mira­max and Para­mount Van­ta­ge) A Scott Rudin/​Mike Zoss Pro­duc­tion: Scott Rudin, Ethan Coen and Joel Coen, Pro­du­cers
• “The­re Will Be Blood” (Para­mount Van­ta­ge and Mira­max) A JoAn­ne Sellar/​Ghoulardi Film Com­pa­ny Pro­duc­tion: JoAn­ne Sel­lar, Paul Tho­mas Ander­son and Dani­el Lupi, Pro­du­cers

Bild: Hau­fen­wei­se Aca­de­my Awards aus der Wiki­pe­dia

Weitere Nominierte:

Per­for­mance by an actor in a lea­ding role

• Geor­ge Cloo­ney in “Micha­el Clay­ton” (War­ner Bros.)
• Dani­el Day-Lewis in “The­re Will Be Blood” (Para­mount Van­ta­ge and Mira­max)
• John­ny Depp in “Sweeney Todd The Demon Bar­ber of Fleet Street” (Dream­Works and War­ner Bros., Dis­tri­bu­ted by DreamWorks/​Paramount)
• Tom­my Lee Jones in “In the Val­ley of Elah” (War­ner Inde­pen­dent)
• Viggo Mor­ten­sen in “Eas­tern Pro­mi­ses” (Focus Fea­tures)

Per­for­mance by an actor in a sup­port­ing role

• Casey Affleck in “The Ass­as­si­na­ti­on of Jes­se James by the Coward Robert Ford” (War­ner Bros.)
• Javier Bar­dem in “No Coun­try for Old Men” (Mira­max and Para­mount Van­ta­ge)
• Phil­ip Sey­mour Hoff­man in “Char­lie Wilson’s War” (Uni­ver­sal)
• Hal Hol­brook in “Into the Wild” (Para­mount Van­ta­ge and River Road Enter­tain­ment)
• Tom Wil­kin­son in “Micha­el Clay­ton” (War­ner Bros.)

Per­for­mance by an actress in a lea­ding role

• Cate Blan­chett in “Eliza­beth: The Gol­den Age” (Uni­ver­sal)
• Julie Chris­tie in “Away from Her” (Lions­gate)
• Mari­on Cot­il­lard in “La Vie en Rose” (Pic­ture­house)
• Lau­ra Lin­ney in “The Sava­ges” (Fox Search­light)
• Ellen Page in “Juno” (Fox Search­light)

Per­for­mance by an actress in a sup­port­ing role

• Cate Blan­chett in “I’m Not The­re” (The Wein­stein Com­pa­ny)
• Ruby Dee in “Ame­ri­can Gangs­ter” (Uni­ver­sal)
• Sao­ir­se Ronan in “Ato­ne­ment” (Focus Fea­tures)
• Amy Ryan in “Gone Baby Gone” (Mira­max)
• Til­da Swin­ton in “Micha­el Clay­ton” (War­ner Bros.)

Best ani­ma­ted fea­ture film of the year

• “Per­se­po­lis” (Sony Pic­tures Clas­sics): Mar­ja­ne Satra­pi and Vin­cent Paron­naud
• “Rata­touille” (Walt Dis­ney): Brad Bird
• “Surf’s Up” (Sony Pic­tures Releasing): Ash Bran­non and Chris Buck

Achie­ve­ment in art direc­tion

• “Ame­ri­can Gangs­ter” (Uni­ver­sal): Art Direc­tion: Arthur Max; Set Deco­ra­ti­on: Beth A. Rubi­no
• “Ato­ne­ment” (Focus Fea­tures): Art Direc­tion: Sarah Green­wood; Set Deco­ra­ti­on: Katie Spen­cer
• “The Gol­den Com­pass” (New Line in asso­cia­ti­on with Inge­nious Film Part­ners): Art Direc­tion: Den­nis Gas­s­ner; Set Deco­ra­ti­on: Anna Pin­nock
• “Sweeney Todd The Demon Bar­ber of Fleet Street” (Dream­Works and War­ner Bros., Dis­tri­bu­ted by DreamWorks/​Paramount): Art Direc­tion: Dan­te Fer­ret­ti; Set Deco­ra­ti­on: Fran­ce­s­ca Lo Schia­vo
• “The­re Will Be Blood” (Para­mount Van­ta­ge and Mira­max): Art Direc­tion: Jack Fisk; Set Deco­ra­ti­on: Jim Erick­son

Achie­ve­ment in cine­ma­to­gra­phy

• “The Ass­as­si­na­ti­on of Jes­se James by the Coward Robert Ford” (War­ner Bros.): Roger Dea­k­ins
• “Ato­ne­ment” (Focus Fea­tures): Sea­mus McGar­vey
• “The Diving Bell and the But­ter­fly” (Miramax/​Pathé Renn): Janusz Kamin­ski
• “No Coun­try for Old Men” (Mira­max and Para­mount Van­ta­ge): Roger Dea­k­ins
• “The­re Will Be Blood” (Para­mount Van­ta­ge and Mira­max): Robert Els­wit

Achie­ve­ment in cos­tu­me design

• “Across the Uni­ver­se” (Sony Pic­tures Releasing) Albert Wol­sky
• “Ato­ne­ment” (Focus Fea­tures) Jac­que­line Dur­ran
• “Eliza­beth: The Gol­den Age” (Uni­ver­sal) Alex­an­dra Byr­ne
• “La Vie en Rose” (Pic­ture­house) Marit Allen
• “Sweeney Todd The Demon Bar­ber of Fleet Street” (Dream­Works and War­ner Bros., Dis­tri­bu­ted by DreamWorks/​Paramount) Col­leen Atwood

Achie­ve­ment in direc­ting

• “The Diving Bell and the But­ter­fly” (Miramax/​Pathé Renn), Juli­an Schna­bel
• “Juno” (Fox Search­light), Jason Reit­man
• “Micha­el Clay­ton” (War­ner Bros.), Tony Gil­roy
• “No Coun­try for Old Men” (Mira­max and Para­mount Van­ta­ge), Joel Coen and Ethan Coen
• “The­re Will Be Blood” (Para­mount Van­ta­ge and Mira­max), Paul Tho­mas Ander­son

Best docu­men­ta­ry fea­ture

• “No End in Sight” (Magno­lia Pic­tures) A Repre­sen­ta­tio­nal Pic­tures Pro­duc­tion: Charles Fer­gu­son and Audrey Marrs
• “Ope­ra­ti­on Home­co­ming: Wri­ting the War­ti­me Expe­ri­ence” (The Docu­men­ta­ry Group) A Docu­men­ta­ry Group Pro­duc­tion: Richard E. Rob­bins
• “Sicko” (Lions­gate and The Wein­stein Com­pa­ny) A Dog Eat Dog Films Pro­duc­tion: Micha­el Moo­re and Meg­han O’Hara
• “Taxi to the Dark Side” (THINK­Film) An X‑Ray Pro­duc­tion: Alex Gib­ney and Eva Orner
• “War/​Dance” (THINK­Film) A Shi­ne Glo­bal and Fine Films Pro­duc­tion: Andrea Nix Fine and Sean Fine

Best docu­men­ta­ry short sub­ject

• “Free­held” A Lieu­ten­ant Films Pro­duc­tion: Cyn­thia Wade and Vanes­sa Roth
• “La Coro­na (The Crown)” A Runa­way Films and Vega Films Pro­duc­tion: Aman­da Miche­li and Isa­bel Vega
• “Salim Baba” A Ropa Vie­ja Films and Para­dox Smo­ke Pro­duc­tion: Tim Stern­berg and Fran­cis­co Bel­lo
• “Sari’s Mother” (Cine­ma Guild) A Day­light Fac­to­ry Pro­duc­tion: James Lon­gley

Achie­ve­ment in film editing

• “The Bourne Ulti­ma­tum” (Uni­ver­sal): Chris­to­pher Rou­se
• “The Diving Bell and the But­ter­fly” (Miramax/​Pathé Renn): Juli­et­te Welf­ling
• “Into the Wild” (Para­mount Van­ta­ge and River Road Enter­tain­ment): Jay Cass­idy
• “No Coun­try for Old Men” (Mira­max and Para­mount Van­ta­ge) Rode­rick Jay­nes
• “The­re Will Be Blood” (Para­mount Van­ta­ge and Mira­max): Dylan Tichenor

Best for­eign lan­guage film of the year

• “Beau­fort” Isra­el
• “The Coun­ter­fei­ters” Aus­tria
• “Katyn” Pol­and
• “Mon­gol” Kazakh­stan
• “12? Rus­sia

Achie­ve­ment in make­up

• “La Vie en Rose” (Pic­ture­house) Didier Laver­gne and Jan Archi­bald
• “Nor­bit” (Dream­Works, Dis­tri­bu­ted by Para­mount): Rick Bak­er and Kazu­hi­ro Tsu­ji
• “Pira­tes of the Carib­be­an: At World’s End” (Walt Dis­ney): Ve Neill and Mar­tin Samu­el

Achie­ve­ment in music writ­ten for moti­on pic­tures (Ori­gi­nal score)

• “Ato­ne­ment” (Focus Fea­tures) Dario Maria­nel­li
• “The Kite Run­ner” (Dream­Works, Sid­ney Kim­mel Enter­tain­ment and Par­ti­ci­pant Pro­duc­tions, Dis­tri­bu­ted by Para­mount Clas­sics): Alber­to Igle­si­as
• “Micha­el Clay­ton” (War­ner Bros.) James New­ton Howard
• “Rata­touille” (Walt Dis­ney) Micha­el Giac­chi­no
• “3:10 to Yuma” (Lions­gate) Mar­co Bel­t­ra­mi

Achie­ve­ment in music writ­ten for moti­on pic­tures (Ori­gi­nal song)

• “Fal­ling Slow­ly” from “Once” (Fox Search­light) Music and Lyric by Glen Han­sard and: Mar­ke­ta Irg­lo­va
• “Hap­py Working Song” from “Enchan­ted” (Walt Dis­ney): Music by Alan Men­ken; Lyric by Ste­phen Schwartz
• “Rai­se It Up” from “August Rush” (War­ner Bros.): Nomi­nees to be deter­mi­ned
• “So Clo­se” from “Enchan­ted” (Walt Dis­ney): Music by Alan Men­ken; Lyric by Ste­phen Schwartz
• “That’s How You Know” from “Enchan­ted” (Walt Dis­ney): Music by Alan Men­ken; Lyric by Ste­phen Schwartz

Best ani­ma­ted short film

• “I Met the Wal­rus” A Kids & Explo­si­ons Pro­duc­tion: Josh Ras­kin
• “Madame Tut­li-Put­li” (Natio­nal Film Board of Cana­da) A Natio­nal Film Board of Cana­da Pro­duc­tion Chris Lavis and Maciek Szc­zer­bow­ski “Même Les Pige­ons Vont au Para­dis (Even Pige­ons Go to Hea­ven)” (Pre­mi­um Films) A BUF Com­pa­gnie Pro­duc­tion Samu­el Tour­neux and Simon Vanes­se
• “My Love (Moya Lyu­bov)” (Chan­nel One Rus­sia) A Dago-Film Stu­dio, Chan­nel One Rus­sia and Dentsu Tec Pro­duc­tion Alex­an­der Petrov
• “Peter & the Wolf” (BreakTh­ru Films) A BreakTh­ru Film­s/­Se-ma-for Stu­di­os Pro­duc­tion Suzie Temp­le­ton and Hugh Welch­man

Best live action short film

• “At Night” A Zentro­pa Enter­tain­ments 10 Pro­duc­tion: Chris­ti­an E. Chris­ti­an­sen and Loui­se Ves­th
• “Il Sup­p­le­nte (The Sub­sti­tu­te)” (Sky Cine­ma Ita­lia) A Frame by Frame Ita­lia Pro­duc­tion: Andrea Jub­lin
• “Le Mozart des Pick­po­ckets (The Mozart of Pick­po­ckets)” (Pre­mi­um Films) A Karé Pro­duc­tion: Phil­ip­pe Pol­let-Vil­lard
• “Tanghi Argen­ti­ni” (Pre­mi­um Films) An Ano­ther Dimen­si­on of an Idea Pro­duc­tion: Gui­do Thys and Anja Dae­lem­ans
• “The Ton­to Woman” A Knuck­le­head, Litt­le Mo and Rose Hack­ney Bar­ber Pro­duc­tion: Dani­el Bar­ber and Matthew Brown

Achie­ve­ment in sound editing

• “The Bourne Ulti­ma­tum” (Uni­ver­sal): Karen Bak­er Land­ers and Per Hall­berg
• “No Coun­try for Old Men” (Mira­max and Para­mount Van­ta­ge): Skip Liev­say
• “Rata­touille” (Walt Dis­ney): Ran­dy Thom and Micha­el Sil­vers
• “The­re Will Be Blood” (Para­mount Van­ta­ge and Mira­max): Matthew Wood
• “Trans­for­mers” (Dream­Works and Para­mount in asso­cia­ti­on with Has­bro): Ethan Van der Ryn and Mike Hop­kins

Achie­ve­ment in sound mixing

• “The Bourne Ulti­ma­tum” (Uni­ver­sal) Scott Mil­lan, David Par­ker and Kirk Fran­cis
• “No Coun­try for Old Men” (Mira­max and Para­mount Van­ta­ge): Skip Liev­say, Craig Ber­key, Greg Orl­off and Peter Kur­land
• “Rata­touille” (Walt Dis­ney): Ran­dy Thom, Micha­el Sema­nick and Doc Kane
• “3:10 to Yuma” (Lions­gate): Paul Mas­sey, David Giamm­ar­co and Jim Stue­be
• “Trans­for­mers” (Dream­Works and Para­mount in asso­cia­ti­on with Has­bro): Kevin O’Connell, Greg P. Rus­sell and Peter J. Dev­lin

Achie­ve­ment in visu­al effects

• “The Gol­den Com­pass” (New Line in asso­cia­ti­on with Inge­nious Film Part­ners): Micha­el Fink, Bill Wes­ten­ho­fer, Ben Mor­ris and Tre­vor Wood
• “Pira­tes of the Carib­be­an: At World’s End” (Walt Dis­ney): John Knoll, Hal Hickel, Charles Gib­son and John Fra­zier
• “Trans­for­mers” (Dream­Works and Para­mount in asso­cia­ti­on with Has­bro): Scott Farr­ar, Scott Ben­za, Rus­sell Earl and John Fra­zier

Adapt­ed screen­play

• “Ato­ne­ment” (Focus Fea­tures), Screen­play by Chris­to­pher Hamp­ton
• “Away from Her” (Lions­gate), Writ­ten by Sarah Pol­ley
• “The Diving Bell and the But­ter­fly” (Miramax/​Pathé Renn), Screen­play by Ronald Har­wood
• “No Coun­try for Old Men” (Mira­max and Para­mount Van­ta­ge), Writ­ten for the screen by Joel Coen & Ethan Coen
• “The­re Will Be Blood” (Para­mount Van­ta­ge and Mira­max), Writ­ten for the screen by Paul Tho­mas Ander­son

Ori­gi­nal screen­play

• “Juno” (Fox Search­light), Writ­ten by Dia­blo Cody
• “Lars and the Real Girl” (MGM), Writ­ten by Nan­cy Oli­ver
• “Micha­el Clay­ton” (War­ner Bros.), Writ­ten by Tony Gil­roy
• “Rata­touille” (Walt Dis­ney), Screen­play by Brad Bird; Sto­ry by Jan Pin­ka­va, Jim Capo­bi­an­co, Brad Bird
• “The Sava­ges” (Fox Search­light), Writ­ten by Tama­ra Jenk­ins